Christian Bourgois Editeur 2004 300 pages in8. 2004. Broché. 300 pages.
Reference : 75355
ISBN : 9782267017267
French edition. l'article présente des traces de stockage sur la couverture ou les pourtours mais reste en bon état d'ensemble. Envoyé dans un emballage adapté depuis la France
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Antwerpen, MER Paper Kunsthalle, 2012 Gebonden, Hardcover, 296 pagina's met illustraties in kleur, 30x21 cm, ISBN 9789490693893.
Een liefdesbrief geeft vorm aan de liefde. Mannaers schrijft er geen, hij schildert ze in zijn smeuige bad painting-stijl. Gedurende een periode heeft hij elke dag een Love Letter gemaakt en bestemd. De bestemmeling is een vrouw. Mannaers is tevens verliefd op de liefde, dat maakt zijn reeks algemeen menselijk. Kunstenaars kunnen niet zwijgen over (hun) kunst, ook als ze de liefde bedrijven. Zo is het boek Love Letters een visueel commentarierend beeldverhaal over de geschiedenis van de moderne kunst geworden. Het werk van Mannaers is steeds 'intertekstueel', d.w.z. dat in of onder een tekst er een andere schuilt. In zijn Love Letters vinden we een dubbel niveau van twee soorten gelaagdheden. Zijn schilderijen zitten vol referenties aan andere kunstenaars. Voor zijn dagelijkse Love Letters, gouache op papier, plukt hij hier en daar uit zijn eigen schilderijen die in de maak zijn. Lieftalliger met minder weerhaken. // Love letters shape love. Werner Mannaers doesn?t write love letters, he paints them in his characteristic ?bad painting? style. During a certain time span, the painter created a Love Letter each day; the recipient of which was always a woman. Mannaers is in love with love; which makes his current series especially human: artists never shut up about (their) art, even when making love. The book Love Letters groups these paintings Mannaers made over time. Each Love Letter is effectuated using gouache on paper. They refer to some of Mannaers? paintings that are currently in the making. Each Love Letter equally makes reference to other artists. This makes this publication more than a collection of recent Love Letters: the publication discreetly evolves towards a visual commentary on the history of modern art.
Turnhout, Brepols, 2005 Hardback, XIV+345 p., 160 x 240 mm. ISBN 9782503521633.
This book is concerned with the social and gendered meanings of love in medieval Norway and Iceland. In the Viking Age, to love would most often imply a submissive social position, while being loved by a woman could elevate a man above the status of her family. Women were supposed to love upwards in the social hierarchy, but could also use their desire to negotiate the social position of men. A close reading of the skaldic poetry shows the dilemma men faced when longing for women's love and approval. These ideas of love relations shaped Norse interpretations of courtly love and marriage formation by consent in the twelfth and thirteenth centuries. However, new ideas of sexuality, gender and aristocratic culture changed several aspects of love and marital affection in the later middle ages. Men became the loving subject, but in a way that did not challenge the social order. For women, ideal love was attached to humility and submission to parents and husband. But even though the new ideology of love and marriage to some extent neutralized the tensions between consent and parental control, the sources show that both men and women could use the new conceptions of love to serve their own marital and social strategies. Languages : English.
, Brepols - Harvey Miller, 2011 Hardcover, 391 p., 1 colour ill., 152 x 229 mm, Languages: English Fine copy. Including an index. ISBN 9782503534596.
The version of the Rule of St Augustine used at the Abbey of St Victor began with the command to love God above all things and one?s neighbor as oneself. Not surprisingly, then, love was a pervasive theme in the writings produced there, many of which are introduced and translated here : (1) five lyrical essays by Hugh of St Victor (d. 1141): ThePraise of Charity; The Betrothal Gift of the Soul; In Praise of the Spouse; On the Substance of Love; What Truly Should Be Loved ?; (2) On the Four Degrees of Violent Love, by Richard of St Victor (d. 1173), which traces the likenesses and differences between romantic love and the love of God; (3) Achard of St Victor (d. 1170), Sermon 5 and two of Adam of St Victor?s sequences are examples of how these authors wove love into their writings ; (4) excerpts from the Microcosmus by Godfrey of St Victor (d. ca. 1195), summarize the central place of love in his humanistic theological anthropology.
, Yale, 2013 Hardcover, 286 pages, ENG. edition, 300 x 250 x 30 mm, As New !!, illustrated dustjacket, Full page images / illustrations in color / b/w. ISBN 9780300196863.
The popularity of Robert Indiana's LOVE works made the Pop artist a household name?and torpedoed his reputation, precipitating his self-imposed exile from the New York art world that had once acclaimed him and eclipsing the breadth and emotionally powerful content of the rest of his dynamic, conceptually charged work. Robert Indiana: Beyond LOVE is a compelling reassessment of the artist?s contributions to American art during his long and prolific career. Indiana (b. 1928) has explored the power of language, American identity, and personal history for five decades. Although his imagery, suggestive of highway signs and roadside attractions, is visually dazzling on its surface and seems to reflect a native spirit of optimism, it contains a multilayered conceptual intricacy and darkness that draw on his own biography as well as on the myths, history, and literature of the United States. As chronicled in this landmark reappraisal, Indiana was a seminal figure of the 1960s and 1970s, whose artistic genius combined Pop art, hard-edged abstraction, and language-based conceptualism. With a generous illustration program, an appendix of the artist?s interviews and statements, and contributions by leading experts, this book provides a long overdue analysis of the development of Indiana?s career, his relationship to early-20th-century American painters, and his influence on contemporary language-based artists. In addition to an illustrated chronology, selected exhibition history, and selected bibliography, Robert Indiana: Beyond LOVE includes transcripts from roundtable discussions with key Indiana experts, such as Thomas Crow, Bill Katz, Robert Pincus-Witten, Susan Elizabeth Ryan, Robert Storr, Allison Unruh, and John Wilmerding, who offer compelling insights on the significance of Indiana and his art.
Turnhout, Brepols, 2006 Hardback, XII+474 p., 6 b/w ill., 175 x 255 mm. ISBN 9782503522968.
This edition contains two texts by Julian of Norwich (c. 1343-c. 1416): A Vision Showed to a Devout Woman and A Revelation of Love. Julian of Norwich (c. 1343-c. 1416) is the earliest woman writer of English we know about. Although she described herself as 'a simple creature unlettered', Julian is now widely recognized as one of the great speculative theologians of the Middle Ages, whose thinking about God as love has made a permanent contribution to the tradition of Christian belief. This book presents a much needed new edition of Julian's writings in Middle English, one that makes possible the serious reading and study of her thought not just for specialists but for all medievalists. This edition includes separate texts of both Julian's works, A Vision Showed to a Devout Woman and A Revelation of Love, with modern punctuation and partly regularized spelling; a second, analytic edition of A Vision printed underneath the text of A Revelation to facilitate study of the relationship between the works; facing-page explanatory notes, with translations of difficult words and phrases, cross-references to other parts of the text, and citations of biblical and other sources; an appendix of life-records and early responses to Julian's thought; and an analytic bibliography. The volume also provides an accessible introduction to Julian's life and writings. Languages : English, Middle English.