‎G. Guillemot-Magitot‎
‎Beethoven‎

‎Beethoven‎

‎Hachette Genies et Realites 1961‎

‎in8, relie, rhodoid, ensemble bon etat, interieur propre avec nombreuses illustrations N&B et quelques illustrations contre-collees couleurs, sur papier verge Saint-Alban, Hachette, Coll. Genies et Realites, 1961, 256p + 80p "Catalogue General des Oeuvres de Ludwig Van Beethoven" revise, complete et commente par J. Witold‎

‎Le style classique. Haydn, Mozart, Beethoven‎

‎1991, nrf Gallimard, Bibliothèque des idées, in-8 cartonné de 592 pages, jaquette, Le style classique, Haydn, Mozart, Beethoven | Etat : Très bon état général (Ref.: ref85795)‎

‎nrf Gallimard‎

‎La musique romantique Beethoven 17 décembre 1770-26 mars 1827.‎

‎Encyclopédie des Grands Maîtres de la Musique, sans date. Cartonnage in-4 imprimé en couleurs (23 X 30 cm), 96 pages, richement illustré de photographies en couleurs, excellent état.‎

‎Beethoven the European. Transcultural Contexts of Performance, Interpretation and Reception‎

‎, Brepols, 2023 Hardback, xix + 410 pages, Size:210 x 270 mm, Illustrations:27 b/w, 71 musical examples, Language: English. ISBN 9782503602905.‎

‎Summary Beethoven's music, stemming from its 18th- and 19th-century European context, communicates values of the Enlightenment bearing a seemingly universal, timeless significance. More than a quarter millenium after his birth, a 21st-century perspective offers a timely opportunity ? against a backdrop of the reconfiguration of Europe and tensional power shifts across continents ? to explore ways in which notions of European ideals impacted the works of Beethoven and his contemporaries and which social-political contexts shaped its reception. The essays in this volume offer cutting-edge research shedding new light on varied aspects of Beethoven's music, and the ways it has been adapted and adopted by the musical world up to the present-day. Foremost international experts and younger scholars, gathered together with the editors William Kinderman and Malcolm Miller, share insights about Beethoven reception both within and beyond Europe, covering France, Italy, Britain, Spain, the USA and Japan. Innovative contextual studies consider topics on criticism and interpretation, performance and publication, and a variety of less familiar personalities, institutions and performing organisations. Studies of individual works illuminate Beethoven's well-known masterpieces through novel, sometimes polemical, contextual and analytical frameworks. The volume as a whole celebrates Beethoven's genius as European and global, marking a fascinating turning-point between the particular and the universal. TABLE OF CONTENTS Malcolm Miller - William Kinderman Preface Politics, Aesthetics and Ideology William Kinderman Beethoven's Ninth Symphony as a Disputed Symbol of Community: From Thomas Mann's Doktor Faustus to the Brexiteers of 2019 Michael Christoforidis - Peter Tregear Beethoven, the Congress of Verona, and the Concert of Europe in 1822/1823 David B. Dennis Beethoven's 100th Todestag in 1927: Ideological Battles over the Composer and His Music in Weimar Political Culture Sanna Iitti Patriotism and Islam in Ludwig van Beethoven's The Ruins of Athens, Op. 113, and King Stephen, Op. 117 Arabella Pare Beethoven as a Transnational Composer: Stra enmusik, Verbunkos and the Trio Op. 11 'Gassenhauer' Susan Cooper Beethoven, His Circle and Horace Reception across Europe and beyond Mar a Encina Cortizo - Ram n Sobrino Interpreting Beethoven in Spain in the 19th Century: The Arrival of His Symphonic Music to a Nascent Concert Life Chiara Sintoni Ludwig van Beethoven and His Reception in Piano Methods of the First Half of the 19th Century Fr d ric de La Grandville Who Are You, Mr Bethowen? David Hurwitz Beethoven's French Liturgical Organ Music - No, Really David Rowland Further Light on Clementi's 1807 Contract with Beethoven Mai Koshikakezawa Beethoven's 'Moonlight' Sonata and the Japanese Reception of Western Music Alison Minkus Reception and Reflection of Beethoven's Works at the Philharmonic Society of New York (1842-1892) Performance and Analysis Barry Cooper Performing Beethoven's Vocal Music in the 21st Century Ned Kellenberger Beethoven's Violin Concerto Opus 61: Toward Performance of Alternate Solo Violin Parts Malcolm Miller Beethoven's Registral Structures and Strategies of Transcendence in the Late Piano Sonatas Eftychia Papanikolaou Uwe Scholz's Choreographic Conception of Beethoven's Seventh Symphony Peng Du Krol The Whimsical Character of Beethoven's Salieri Piano Variations, WoO 73 (1799) Abstracts and Biographies Index of Names‎

‎Beethoven L. van Beethoven Ludwig Van. Messe von L. van Beethoven. Grand Septuor‎

‎Beethoven L. van Beethoven Ludwig Van. Messe von L. van Beethoven. Grand Septuor de Souis van Beethoven. Fantasie von L. van Beethoven. Sonata Apsionata par L. van Beethoven. Sonate Pathetioue par L. van Beethoven. Grande Sonate par L. van Beethoven. Sonate. Oeuv. 22 par L. van Beethoven. In German (ask us if in doubt)/Beethoven L. van. Betkhoven Lyudvig Van. Messe von L. van Beethoven. Grand Septuor de Souis van Beethoven. Fantasie von L. van Beethoven. Sonata Apassionata par L. van Beethoven. Sonate Pathetioue par L. van Beethoven. Grande Sonate par L. van Beethoven. Sonate. Oeuv. 22. par L. van Beethoven. Masses Sonatas and Other Works by L. van Beethoven. For Piano in Four Hands. A Convolutee of 7 All-Engraved Notebooks. In German. Leipsic. Magazin de Musique et industrie Fabrique de Couleurs de Thamm et Krich. 1800-1820. SKUalb2d330953122d84c7.‎