Write to the booksellers
Mary McCarthy
Le group
Stock 1954 1954.
Reference : 500011685
Etat correct
Bookseller's contact details
Démons et Merveilles
M. Christophe Ravignot
contact@demons-et-merveilles.com
07 54 32 44 40
Payment mode
Sale conditions
Rapidité d'envoi Tous nos articles sont expédiés le jour même de la confirmation de la commande Soin de l'emballage Un soin particulier est apporté à l'emballage, vos objets voyagent en toute sécurité. A votre écoute Si toutefois un incident devait survenir lors de l'acheminement de votre paquet, n'hésitez pas à nous contacter, nous mettrons tout en oeuvre pour vous satisfaire, en vous proposant un retour, un remboursement ou toute autre soluton à votre convenance. Professionnalisme Les livres que nous vendons sont pour la plupart des livres anciens, nous tâchons d'être le plus objectif possible quant à leur état.
5 book(s) with the same title
Perfect Moderns. A History of the Camden Town Group
Baron, Wendy: Perfect Moderns. A History of the Camden Town Group. Aldershot: 2000. 224pp with 24 colour and 40 monochrome illustrations. Hardback. 28.5x23cms. Beginning with the work of Walter Sickert, the author expands on the foundation and development of the North-west London based group and examines the work of Spencer Gore, Harold Gilman, Charles Ginner, Robert Bevan and Malcolm Drummond. A scholarly publication, it traces the history of the group, its disintegration, the creation of the Fitzroy Group and subsequently the formation of the London Group in 1913.
Beginning with the work of Walter Sickert, the author expands on the foundation and development of the North-west London based group and examines the work of Spencer Gore, Harold Gilman, Charles Ginner, Robert Bevan and Malcolm Drummond. A scholarly publication, it traces the history of the group, its disintegration, the creation of the Fitzroy Group and subsequently the formation of the London Group in 1913. Text in English
Ueber Gruppen, deren sämmtliche Theiler Normaltheiler sind. - [FIRST PRINTING OF DEDEKIND GROUP / HAMILTONIAN GROUP]
Leipzig, B.G. Teubner, 1897. 8vo. Original printed wrappers, no backstrip. In ""Mathematische Annalen. 48. Band. 4. Heft."" Entire issue offered. Minor soiling to back wrapper, internally fine and clean. [Dedekind:] Pp. 548-61. [Entire issue: 433-606, (2) pp.].
First printing of Dedekind groups, named named after Richard Dedekind, who investigated them in proving a form of the above structure theorem (for finite groups). He named the non-abelian ones after William Rowan Hamilton, the discoverer of quaternions.In group theory, a Dedekind group is a group G such that every subgroup of G is normal. All abelian groups are Dedekind groups. A non-abelian Dedekind group is called a Hamiltonian group
The London Group a history 1913 - 2013 .
London, The London Group, 2013, in-8°, 413 pp, softcover, some colour ills.. Describes the history of the London art group '' The London Group ''.
Corporate Splendour. A Typological, Iconographic and Social Approach to Civic Group Portraits in Brabant 1585-1800
, Brepols - Harvey Miller, 2014 Hardback, approx. 450 p., 150 b/w ill., 190 x 250 mm Languages: English . ISBN 9782503550374.
Civic group portraits, depicting trades and guilds, militias, magistrates, governors of charitable institutions and confraternities, were in the old duchy of Brabant during the Ancien Regime much better represented than is generally thought. Some hundred paintings are revealed, especially in the cities of Antwerp, Brussels, Leuven and Mechelen. For the first time, the book zooms in on this important subgenre of Flemish portraiture. The paintings present a wide variety of compositional types and integrated iconographic elements. Monumental life-size portraits coexist with small scale representations. At the same time, there is a clear differentiation in typology according to the city where they were produced. Along with the formal analysis, attention is paid to the material-technical genesis of these compositions, combining in some cases visual observation with scientific imagery and archival evidence. Also the question why patrons would order a group portrait, and how to interpret such ?corporate splendour?, is dealt with, making use of the richly collected contemporary documents, which permit to contextualize the portraits and, in some cases, reconstruct their original habitat. They thus shed light on a number of factors that were involved in the realization of Brabantine civic group portraits: the type of patrons and their socio-economic and political position; the immediate cause for ordering a group portrait; the artists called upon; the prices and terms of payment; and the destination ? (semi)public / private, sacral / secular ? of the paintings
Oecophorine Genera of Australia III. The barea Group and Unplaced Genera (Oecophoridae).
2000 xvi, 453 p., 757 figures, blue publisher’s cloth. Monographs on Australian Lepidoptera Vol. 8. Library stamps, else good copy.This volume completes the revision of the oecophorine genera of Australia, a subfamily which has diversified enormously and today represents some 20% of the Australian Lepidoptera. This generic revision includes the large Barea group of genera, the small Tisobarica group, some genera previously omitted in the first two volumes from the Wingia and Chezala groups, and some miscellaneous genera of unknown relationship. This volume deals with 96 genera, 73 of which are referred to the Barea group.
