Stock 1954 1954.
Reference : 500011685
Etat correct
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London The Epworth Press 1936 Première édition. Ouvrage contenant des prières et des méditations guidées sur des thèmes variés ("Fermer la porte", "Dire merci", etc.). Couvertures souples bleues. Un peu assombrie et avec un petit pli à un coin. A l'intérieur, le livre est propre et bien rangé, bien que légèrement assombri. 68 pages. 18cm x 12.5cm. Conforme à WorldCat / OCLC : 5654275. Un article rare, nous n'avons trouvé aucun exemplaire en vente au moment du catalogage. Les Cambridge Group Manuals étaient une série de publications associées à un groupe de ministres méthodistes et de laïcs de l'Université de Cambridge au début du XXe siècle. Ce groupe, connu sous le nom de Cambridge Group, a publié son manifeste "A Group Speaks" en 1931, qui a été suivi par la série des Cambridge Group Manuals. Ces manuels contenaient les idées et les enseignements du groupe concernant le méthodisme et sa pratique. Le Groupe de Cambridge faisait partie d'un mouvement plus large au sein du méthodisme pendant cette période, un groupe similaire existant à l'Université d'Oxford.
First edition. A work with prayers and guided meditations for a variety of topics ("Shutting the door", "Saying Thank you" etc). Blue soft covers. A touch darkened and with a little creasing to one corner. Inside, the book is clean and tidy, if fractionally darkened. 68 pages. 18cm x 12.5cm. Conforms to WorldCat / OCLC: 5654275. A scarce item, we can find no copies for sale at the time of cataloguing. The Cambridge Group Manuals were a series of publications associated with a group of Methodist ministers and laypeople at Cambridge University in the early 20th century. This group, known as the Cambridge Group, published their manifesto "A Group Speaks" in 1931, which was followed by the series of Cambridge Group Manuals. These manuals contained the group's ideas and teachings related to Methodism and its practice. The Cambridge Group was part of a broader movement within Methodism during this period, with a similar group existing at Oxford University. .
Baron, Wendy: Perfect Moderns. A History of the Camden Town Group. Aldershot: 2000. 224pp with 24 colour and 40 monochrome illustrations. Hardback. 28.5x23cms. Beginning with the work of Walter Sickert, the author expands on the foundation and development of the North-west London based group and examines the work of Spencer Gore, Harold Gilman, Charles Ginner, Robert Bevan and Malcolm Drummond. A scholarly publication, it traces the history of the group, its disintegration, the creation of the Fitzroy Group and subsequently the formation of the London Group in 1913.
Beginning with the work of Walter Sickert, the author expands on the foundation and development of the North-west London based group and examines the work of Spencer Gore, Harold Gilman, Charles Ginner, Robert Bevan and Malcolm Drummond. A scholarly publication, it traces the history of the group, its disintegration, the creation of the Fitzroy Group and subsequently the formation of the London Group in 1913. Text in English
Leipzig, B.G. Teubner, 1897. 8vo. Original printed wrappers, no backstrip. In ""Mathematische Annalen. 48. Band. 4. Heft."" Entire issue offered. Minor soiling to back wrapper, internally fine and clean. [Dedekind:] Pp. 548-61. [Entire issue: 433-606, (2) pp.].
First printing of Dedekind groups, named named after Richard Dedekind, who investigated them in proving a form of the above structure theorem (for finite groups). He named the non-abelian ones after William Rowan Hamilton, the discoverer of quaternions.In group theory, a Dedekind group is a group G such that every subgroup of G is normal. All abelian groups are Dedekind groups. A non-abelian Dedekind group is called a Hamiltonian group
.: London, The London Group, 2013, in-8°, 413 pp, softcover, some colour ills.. Describes the history of the London art group '' The London Group ''.
, Brepols - Harvey Miller, 2014 Hardback, approx. 450 p., 150 b/w ill., 190 x 250 mm Languages: English . ISBN 9782503550374.
Civic group portraits, depicting trades and guilds, militias, magistrates, governors of charitable institutions and confraternities, were in the old duchy of Brabant during the Ancien Regime much better represented than is generally thought. Some hundred paintings are revealed, especially in the cities of Antwerp, Brussels, Leuven and Mechelen. For the first time, the book zooms in on this important subgenre of Flemish portraiture. The paintings present a wide variety of compositional types and integrated iconographic elements. Monumental life-size portraits coexist with small scale representations. At the same time, there is a clear differentiation in typology according to the city where they were produced. Along with the formal analysis, attention is paid to the material-technical genesis of these compositions, combining in some cases visual observation with scientific imagery and archival evidence. Also the question why patrons would order a group portrait, and how to interpret such ?corporate splendour?, is dealt with, making use of the richly collected contemporary documents, which permit to contextualize the portraits and, in some cases, reconstruct their original habitat. They thus shed light on a number of factors that were involved in the realization of Brabantine civic group portraits: the type of patrons and their socio-economic and political position; the immediate cause for ordering a group portrait; the artists called upon; the prices and terms of payment; and the destination ? (semi)public / private, sacral / secular ? of the paintings