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Collectif ( JL Chalumeau S Fauchereau ...)
BACON
Cercle d'Art 1994 63 pages in4. 1994. Broché. 63 pages.
Reference : 500007303
ISBN : 2702204007
Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France
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Démons et Merveilles
M. Christophe Ravignot
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07 54 32 44 40
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5 book(s) with the same title
Analyse de la philosophie du chancelier François Bacon.
1755 Amsterdam chez Artskee et Merkus. Paris chez Desaint et Saillant et chez Prault. 1755. 2 volumes in-12, plein veau tacheté, dos à nerfs orné, pièces de titre et de tomaison rouge. (1) f. ; IV pp. ; 412 pp. - (1) f. ; 348 pp.
Un troisième volume en reliure identique contient : (MALLET. David). La vie du chancelier François Bacon. Amsterdam. 1755. (1) f. ; 308 pp. Edition originale française de la traduction de Pouillot, suivie d'un Essai sur la Reine Elisabeth. On joint : SHAW. Fragment extraits des oeuvres du chancelier Bacon. Amsterdam. Duchesne, Descentes Deladoue. 1765. 1 volume in-12, plein veau tacheté, dos lisse orné. (2) ff. ; LXIV pp. ; 280 pp. Traduction de Mary du Moulin. Ensemble de 3 ouvrages sur le chancelier anglais Francis Bacon (1561-1626), scientifique et philosophe. Défendant une approche de la connaissance basée sur un raisonnement inductif rigoureux, il pose les premières bases de la démarche scientifique. Reliures légèrement frottées. Infimes rousseurs. Pâle mouillure cahier E du T.III.
Soil Survey of Atkinson, Bacon, and Coffee Counties, Georgia
1988 United States Department of Agriculture, soil Consevervation Service Soft cover
Soil Survey of Atkinson, Bacon, and Coffee Counties, Georgia soft cover: 28 x 23 cm, 207 pages + 35 double pages sheets, very good condition
Henry Morley and T. Dwight, J. McCarthy,R.H. Stoddard,P. Van Dyke,A. Ellerly Bergh
Reference : 015300
(1901)
Ideal Commonwealths, comprising More's Utopia, Bacon's New Atlantis, Campanella's City of the Sun and Harrington's Oveana, Revised Editon , Volume III
New York - London 1901 The Colonial Press Cloth
Ideal Commonwealths, comprising More's Utopia, Bacon's New Atlantis, Campanella's City of the Sun and Harrington's Oveana, Revised Editon , Volume III with introductions by Henry Morley The World's Great Classics, University Collection, limited to One Thousand Sets of which this is number 230 Editorial light green cloth, hard cover, upperside bookblock gilded, two other sides untrimmed, 24 x 16 cm, XIII and 416 pages, 3 page wide illustrations, some wear on the covers, very clean inside in excellent condition
Francis Bacon Retrieved - Lost Words / New Writing
Harrison, Martin: Francis Bacon Retrieved - Lost Words / New Writing. 2025. 232 pages, illusrated. Paperback. 26 x 21cms. New studies on Francis Bacon, done in collaboration with the Francis Bacon Estate, examine his simian and avian works, forgeries, the influence of Heidegger's ideas on painting, and unpublished sections of Bacon's interview with David Sylvester.
New studies on Francis Bacon, done in collaboration with the Francis Bacon Estate, examine his simian and avian works, forgeries, the influence of Heidegger's ideas on painting, and unpublished sections of Bacon's interview with David Sylvester
Bacon Moore. Flesh and Bone.
, Antique Collectors' Club, Size: 280 mm x 220 mm. Pages: 160. Illustrations: 140 colour. Hardback. New. ISBN 9781851497478.
In their different mediums, Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism, while Bacon espoused a post-humanist, nihilistic view of the world. In expressing their visions of humanity, the two artists had very different approaches: Bacon working from the outside in, disintegrating and dissolving form; Moore from the inside out, pushing anatomical structure to the surface. If Bacon's images suggest flux, chance, and the arbitrariness of existence, Moore's sculptures have been interpreted as universal symbols of strength and endurance.Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures, at the Base of a Crucifixion (1944), propelling him into the limelight for the first time. Moore showed two sculptures from the1930s and fourteen wartime drawings, some of which anticipate the theme (though not the savage imagery) of Bacon's triptych.Exhibiting together in a commercial gallery was repeated twice in the 1960s, when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows, extensively reviewed in the press, gave critics a chance to compare the artists' radical approaches to the human figure, which were seen as complementary rather than conflicting. Fifty years later, this publication once again brings their work into direct comparison.
