Cercle d'Art 2006 60 pages 25x31x1cm. 2006. Broché. 60 pages.
Reference : 100077992
ISBN : 9782702208021
French édition - Livre issu de déstockage JAMAIS LU présentant des marques de manipulation sur la couverture et/ou les pourtours mais demeurant en très bon état d'ensemble.Expédition sous blister dans une enveloppe matelassée depuis la France
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Paris Galerie de France 1990 1 vol. broché in-folio, broché, couverture à rabats, non paginé, nombreuses reproductions en noir et en couleurs. Bonne condition.
, Silvana Editorale, 2024 PB, 300 x 240 mm, 192 pages , 192 Color illustrations, EN-GE edition. ISBN 9788836658077.
Over the past six decades, Sean Scully has been connected with the most diverse geographical locations, be it his many years of living in London, New York, Barcelona, Mooseurach, Berlin or Aix-en-Provence. In addition, he is constantly inspired by international exhibition projects and trips - such as to Morocco, Mexico and the island of Eleuthera. His restless attitude and always being keen to remain on the move, has left deep traces in his artistic work. G ographies therefore, focuses on Scully's life stages and travels, the places where he lives, works and which particularly inspire him through 35 paintings, as well as watercolours, pastels and drawings by the artist. Many of his abstract compositions reflect his perception of urban space, the dynamic rhythm of the big city or the liberating calm of nature. During the last nine years, Sean Scully has returned to figuration and formed a very personal credo that goes beyond the individual to something more universal.
, Richter Verlag, 2001 Hardcover, 272 pages, ENG, 300 x 240 x 30 mm, dustjacket, As New, illustrated in colour / b/w. ISBN 9783933807359.
The Irish-born artist Sean Scully has created a painterly oeuvre that, in this volume, reveals itself as vitally important in the ongoing dialogue about painting. Horizontal and vertical stripes are the sole motif in his work. He alternately groups strips of paint together and lays multiple stripes of color over one another, which produce visually irritating clashes. It is a working method that is revealed in the works themselves, in the places where these dueling lines meet; edges tell the story of process. The seemingly endless number of neutral stripes leave these paintings open to a variety of interpretations; they allow the viewers freedom to imprint their own visions on them. Usually in a large format, they recall landscapes, facades, buildings, and ornaments. Along with 254 color reproductions, this book includes a complete biography, several critical essays, and an illuminating interview with the artist. Sean Scully was born in Dublin, Ireland, in 1945. Since moving to the United States in the mid-1970s, Scully has taught at major institutions including Princeton University, received a Guggenheim Fellowship, and been the subject of a major touring exhibition organized by the High Museum in Atlanta in 1996. He is represented in virtually every major public collection of 20th-century art.
P., Galerie Lelong, 1997, in-4, br., couv. ill. à rabat, 24 pp., photo, 11 ill. en couleurs. (SD71A)
Publié à l'occasion de l'exposition Sean Scully à la Galerie Lelong, 1997. Textes en français et en anglais. Collection Repères, cahiers d'art contemporain, n° 91.
, Hatje Cantz, 2016 Hardcover, 336 pages, ENG, 265 x 195 x 33 mm, New, illustrated in colour / b/w. ISBN 9783775741644.
Sean Scully (born 1945) is among the greatest abstract painters of our age. He is also one of the most outspoken. Since the late 1960s, Scully's visual expressiveness has been matched by a verbal dynamism that is no less arresting than his art. Varying widely in form from brief reflections to essay-length meditations on artists such as Van Gogh, Morandi and Rothko, Scully's writings are distinguished by a brutal lyricism and an effortlessly aphoristic turn of phrase. The nearly 200 texts that comprise this collection provide a unique perspective on one of the most engaging artistic imaginations of the past half-century. Here, readers will discover the effusions of a mind tirelessly wrestling with the profoundest issues of art, cultural history and what it means to be a creator in the contemporary world. The texts are illustrated by images including facsimile reproductions of handwritten pages which also feature drawings.