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Hans J. Van Miegroet
Gerard David
Monophie de Gerard David de 368 pages par Hans J. Van Miegroet.
Reference : art700m
ISBN : 9061532116
Comme neuf.
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Librairie du Levant
M. Yannick RENAUD
15 rue Marengo
64100 Bayonne
France
+33 5 59 03 69 40
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5 book(s) with the same title
Livre d’heures - DAS STUNDENBUCH GERARD DAVID - LIBER HORARUM GERARD DAVID . Ms. Vitr. 12., Biblioteca Real de El Escorial. Facsimile.
Madrid, Testimonio, César Olmos Pieri Impressor, 1998, in-8vo, 470 S., 15 ganzseitige prachtvolle Miniaturen, 4 kleinere Miniaturen und 16 Dekorseiten reich mit Gold verziert, Exemplaire num. n°483 /980. blindgeprägter Ledereinband mit Silberschließe in Samtkassette.
Entstehung: 1486 in Brügge. Der Auftraggeber ist unbekannt, aber wahrscheinlich in Spanien beheimatet. An dem Miniaturenzyklus waren auch der "Meister Edwards IV. von England" und der "Meister es Dresdner Gebetbuchs" beteiligt. Faksimile + Kommentar. Geprägter Limitierte Auflage 980 Exemplare. Neuwertiges und unbenutztes Exemplar. Editionsnummer: 462. Sprache: Deutsch Gewicht in Gramm: Image disp.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
FRIEDLANDER Max J. (& VERONEE-VERHAEGEN Nicole, notes and comments)
Reference : S62217
(1971)
Hans Memlinc and Gerard David. Part 2: Gerard David ("Early Nederlandish Painting" vol. 6-2)
Leyden/ Brussels, Sijthoff/ La connaissance 1971 only part 2 (on Gerard David): 77pp.with 280 plates out-of-text, 28cm., cloth, dustwrapper, very good condition, S62217
Early Netherlandish painting. Vol. VI a & b, Hans Memlinc and Gerard David / Max J. Friedländer. Comments and notes by Nicole Veronee-Verhaegen. Translation by Heinz Norden [2 tomes]
Leyden - Brussels, A. W. Sijthoff, éditions de la Connaissance 1971 2 tomes. In-4 28 x 21 cm. Reliure éditeur gris-bleu sous jaquette à l’identique, 154 pp., 270 planches en noir & blanc, sommaire, catalogues, notes bibliographiques, index des lieux.
Texte en anglais. Max Jakob Friedländer (1867-1958) est un expert en art et un historien de l'art renommé pour ses travaux sur les primitifs flamands, auxquels il a consacré l'importante monographie “Die altniederländische Malerei” en 14 volumes dont la publication s'étend de 1924 à 1937 et qui a été traduite en anglais. Bon état d’occasion
Flemish Primitives III, Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter, Goossen van der Weyden.
, Brepols Publishers, 2002 hardcover, 392 p., 223 b/w ill. 140 colour ill., ills., 210 x 297 mm, English. ISBN 9782503512297.
The third volume comprises investigations on seventeen paintings by a final group of preeminent, identified artists from the period of transition at the end of the fifteenth and the beginning of the sixteenth century, to which the authors adjust various attributions and interpretations. The third volume includes a final group of preeminent, identified artists from the period of transition at the end of the 15th and the beginning of the 16th century. Artistic production at this time was still rooted in late medieval thought, yet more and more seized with new renaissance developments, and at a permanent state of ferment with constantly changing needs of society. The catalogue deals with correspondingly complex issues of interpretation through the works of Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen van der Weyden. It comprises a technical, stylistic and iconographical investigation of seventeen paintings on the basis of a scientific research method, which has been fully established over the years. The authors have been able to adjust various attributions and interpretations. At the same time most valuable discoveries have been made with regard to the provenance of some work belonging to the Albrecht Bouts and Colijn de Coter Groups. "Fur die weitere Forschung zu den betreffenden Kunstlern oder den fraglichen Werken wird der Band eine unverzichtbare Basis darstellen." (S. Kemperdick in Sehepunkte, 3 (2003), nr. 1, 15.01.2003)
GERARD DAVID, een gedocumenteerde biografie.
, Mercatorfonds, Antwerpen, 1989, Gebonden in linnen met kleur-omslag, 25,5x33,5cm, 367pp, geillustreerd in kleur en z/w., bibliografie, register. Tekst in het Nederlands ISBN 9061532108.
Rijkelijk geillustreerd met zeer mooie kleur illustraties. pracht van een uitgave. In his early work, David had followed Haarlem artists such as Dirk Bouts, Albert van Oudewater and Geertgen tot Sint Jans, though he had already given evidence of superior power as a colourist. To this early period belong the St John of the Kaufmann collection in Berlin and the Saltings St Jerome. In Bruges he studied and copied masterpieces by the Van Eycks, Rogier van der Weyden, and Hugo van der Goes. Here he came directly under the influence of Memling, the master whom he followed most closely. It was from him that David acquired a solemnity of treatment, greater realism in the rendering of human form, and an orderly arrangement of figures.
