1980, EDITIONS SILOE. In-4 relié avec jaquette, et en boitier. 128 pages avec des nombreuses illustrations.
Reference : art32m
Bon état excepté quelques épidermures à l’intérieur.
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Imprimerie des Arts et manufactures (1 janvier 1989). In-4 relié sous jaquette imprimée, collection "Chefs-d'oeuvre du dessin du Musée des Beaux-Arts de Budapest", 1989, 36 pages de texte & 64 illustrations hors-texte, précédées chacune d'une notice en regard, elle-même hors pagination.-1400g.L - Très bon état.
Parris, Editions Siloé 1980 [166] pp., 31cm., texte en Français, reliure toile d'éditeur, jaquette illustrée (déchirure restaurée), bon état, [Contient une introduction et 64 illustrations de dessins avec description], S97480
1980, EDITIONS SILOE. In-4 relié avec jaquette, et en boitier. 128 pages avec des nombreuses illustrations.
Boitier avec des petites dechirures et marques de stockage. Jaquette et interieur en bon etat avec quelque rousseurs.
P., Siloé, 1980, 2ème éd. revue et corrigée, toile beige, jaquette et étui éd., 37 pp. de texte, 64 oeuvres en couleurs présentées, bibliographie. (S4B87m)
, Fondation Custodia, 2002 Paperback, 299 pages, Francais, 295 x 240 mm, Bon Etat,. ISBN X.
This beautiful book presents highlights from the collection of Maida and George Abrams, arguably the finest private collection of Dutch seventeenth-century drawings in the world. The works range from studies by renowned masters?including Pieter Bruegel the Elder, Rembrandt van Rijn, Jacob van Ruisdael, Jacques de Gheyn II, Hendrick Goltzius, and Hendrick Avercamp?to drawings by lesser-known draftsmen whose contributions are essential to understanding the art of the period. The book features seven drawings by Rembrandt, a diverse group by his pupils, a comprehensive survey of Dutch landscape drawing, and figure studies and scenes of daily life by genre artists such as Willem Buytewech and Adriaen van Ostade. The works are explicated in William Robinson?s detailed catalogue entries and in two essays: George Abrams reflects on recent acquisitions for his collection; and Martin Royalton-Kisch examines the Abrams? holdings within the tradition of specialized collections of Dutch drawings in England, France, and America.