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Karcher, Eva
Otto Dix
Editions Flammarion, Paris, 1990. Monographie accompagnée de 74 reproductions d'oeuvres principalement en couleurs et hors-texte. Bibliographie en fin de volume. 96 pages. Format : 21,5 x 28,5 cms.
Reference : ART5322M
Exemplaire en bon état, malgré large mouillure sur le contre-plat d’ouverture (impactant très légèrement les premières pages en haut à gauche).
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Librairie du Levant
M. Yannick RENAUD
15 rue Marengo
64100 Bayonne
France
+33 5 59 03 69 40
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5 book(s) with the same title
Otto Dix : der Krieg 1924
Belgique 2013 Pandora Publishers Hardcover As New 1st Edition
Otto Dix : der Krieg 1924 ned/fr/du Harde kaft met stofwikkel, 330 x 250 mm, 192 blz, illustraties in z/w, zeer goede staat
(CLAM, )
Phone number : +32(0)496 80 81 92
Otto Dix : Werkverzeichnis der Aquarelle und Gouachen
, Verlag Gerd Hatje, 1991 Hardcover, 295 seiten, Deutsch, 320 x 260 x 30 mm, wie Neu, schutzumschlag, illustrationen in farbe / s/w. ISBN 9783775703345.
Der Maler Otto Dix (1891-1969) ist einer der bedeutendsten Vertreter des sozialkritischen Verismus im Deutschland der zwanziger Jahre. Heute geh rt er zu den Klassikern des 20. Jahrhunderts, hat aber nichts an Brisanz verloren. Die Aquarelle und Gouachen von Dix wurden f r diese Publikation erstmals systematisch erfasst, so wurde eine lang beklagte L cke in der Dix-Forschung geschlossen. Das Werkverzeichnis wird mit einem Textteil eingeleitet, der die wichtigsten Bildthemen behandelt und die Bedeutung der Aquarelle im Gesamtwerk untersucht. Sie bleiben eine tempor re Erscheinung, die jedoch ber wenige Jahre eine vorrangige Bedeutung hat. Der umfangreiche Katalogteil, chronologisch nach Aquarellen und Gouachen geordnet, enth lt rund tausend Titel, zum gr ten Teil durch Abbildungen belegt. Die beiden Hauptkomplexe sind die Gouachen, die Dix im Krieg gemalt hat, und die Aquarelle aus den Jahren 1922-1927. Die Publikation liefert eine wichtige Informationsgrundlage f r alle am Werk von Dix Interessierten
Otto Dix
Köln 1989 Benedikt Taschen Soft cover
Otto Dix catalogue soft cover,300 x 240 mm, 255 pages, avec beaucoup d'illustrations, en bon état
Otto Dix. Das graphische Werk
Karsch, Otto, ed.: Otto Dix. Das graphische Werk. Hanover: Kackeltrager, 1970. 308pp with 12 colour plates and over 450 monochrome illustrations. Cloth. 25.5x22cms. Complete catalogue, describing and illustrating 352 graphic works.
Complete catalogue, describing and illustrating 352 graphic works
Otto Dix and New Objectivity
, Hatje Cantz, 2013 Hardcover, 255 pages, ENG, 305 x 240 x 25 mm, as New, dustjacket, illustrated in colour / b/w. ISBN 9783775734912.
"The Neue Sachlichkeit: I invented it." Thus Otto Dix (1891-1969), looking back with characteristic directness, chose to rewrite the development of the art movement that can be considered the "third path"--alongside Abstraction and Expressionism--taken by progressive artists in the modern era. Situated somewhere between the grotesque and the classical, Dix's harsh, unrelenting realism produced some of the most horrific depictions of the First World War, and some of the most critical portrayals of the Weimar Republic. Published to coincide with an exhibition at the Kunstmuseum in Stuttgart, Otto Dix and New Objectivity is the first publication to fully illuminate the Neue Sachlichkeit against the backdrop of the Weimar Republic and National Socialism. The exhibition brings together around 120 works to investigate what characterizes the New Objectivity and how variously the term has been used and interpreted since the 1920s. Some of Dix's key works--including the "Metropolis" triptych (1928-29), the great psychological portraits and the landscapes with their hidden symbolism painted during the years Dix spent at Lake Constance--form the departure point for this exploration of his oeuvre. They are placed in context alongside the works of George Grosz, Franz Lenk, Werner Peiner, Franz Radziwill, Christian Schad, Rudolf Schlichter and Georg Scholz, creating a new perspective on this crucial chapter in German art history and illuminating these artists' various reactions to the National Socialist aesthetic and art policy.
