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Sembach, Klaus-Jurgen
Art Nouveau
Taschen 1999 In-4 cartonne, sous jaquette illustrée, 240 pp; Nombreuses illustrations en couleurs et en noir.
Reference : ART4976M
Très bon état général. Intérieur frais et agréable, extérieur propre, bon exemplaire de collection ou documentation.
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Librairie du Levant
M. Yannick RENAUD
15 rue Marengo
64100 Bayonne
France
+33 5 59 03 69 40
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We accept payments in € by bank transfers, remote Credit Card, Paypal or checks. Checks made payable to and addressed to: Librairie du Levant 15 rue Marengo 64100 Bayonne France Bank transfers to: Banque Courtois, 1 pl du Réduit 64100 Bayonne / RIB / 10268 02696 62711600200 13 / IBAN / FR76 1026 8026 9662 7116 0020 013 / SWIFT BIC / COURFR2T PAYPAL via the address: librairiedulevant@orange.fr For any remote payment by Credit Card, informations communicated are automatically deleted as soon as payment is made and validated. Shipping upon receipt of payment. Member of the Syndicat des Libraires Anciens et Modernes (SLAM) and of the International League of Antiquarian Booksellers (ILAB), our sales are made according to the customs of the profession. All our books and objetcs are guaranteed to conform to the description which appears in each sheet; if, as a result of an error or an oversight, this was not the case, order will be taken back (within fifteen days) and reimbursed (including the costs of redirection), provided that it is returned in the same condition as the purchase. For obvious technical reasons (format, colors, cropping, viewing angle, etc.), the photographs presented on this site are not contractual. Our prices are in Euros, packaging included. Shipments, made under the responsibility of the buyers, are made by Colissimo Post, registered with insured value from € 50 and up to € 5,000 (delivery against signature, package tracking and insured value); for works less than 50 €, shipments are made by registered letter; works whose value exceeds € 5,000 must be sent by special carrier with insured value and delivery against signature. For any shipment outside mainland France, shipping and insurance costs remain the responsibility of the customer. Shipments are made under the same conditions set out above. Possibility to collect the orders on site. Do not hesitate to keep up to date with our news, finds, curiosities, catalogs and various thematic lists by leaving your contact details by email at librairiedulevant@orange.fr
5 book(s) with the same title
Art Nouveau, l'épopée lorraine.
Strasbourg, La Nuée Bleue / Éditions de l'Est, 1998 ; in-4, 144 pp., cartonnage d'éditeur imprimé, coloris marron, sous jaquette illustrée. Un très beau livre sur l'aventure de l'Art Nouveau en Lorraine, avec de nombreux documents d'époque. Très nombreuses illustrations en noir et blanc.
Journal de l’Art Nouveau (1870-1914).
Genève, Éditions d'Art Albert Skira, 1985 ; grand in-4 (307 x 352 mm), 248 pp., reliure d'éditeur pleine percaline, coloris vert moyen, dos lisse, sous jaquette illustrée et emboîtage. Collection «Journal du (de). Nombreuses illustrations en noir et blanc et en couleurs.
Journal de l'art nouveau 1870-1914.
Paris, Skira, 1985 ; in-folio, 247 pp., reliure pleine toile d'éditeur, avec jaquette imprimée et emboitage d'éditeur. L'auteur est professeur d'histoire de l'art à l'université de Clermont-Ferrand. L'auteur prend l'art nouveau dans son ensemble en liant architectures, arts appliqués, éditions, peintures, etc….
L'art Nouveau en Catalogne (1888-1929).
Genève, Atelier d'Édition «le Septième Fou», 1991 ; in-folio (248 x 346 mm), 256 pp., reliure d'éditeur pleine toile, coloris bleu foncé, dos lisse, sous jaquette illustrée. Collection «la Bibliothèque des Arts». Très nombreuses illustrations en noir et blanc et en couleurs.
Art Nouveau in Belgium innovation and ideal. Part 1. / Belgian Art Nouveau: Vision, Design and Craft / ART NOUVEAU BELGE VERS L'IDEAL
Brussel, Horta/ Cera, 2022 Bound, Hardcover, 288 pages: with 300 illustrations,. ENGLISH TEXT ISBN 9782960202137.
The first volume Art Nouveau in Belgium innovation and ideal, of the project Belgian Art Nouveau Belge is organized around the figure of Victor Horta. To be architectural work may often be the center of attention stand, it is different with his countless creations in the field of decorative arts, be it ironwork, furniture, molds in plaster or frames in wood; there is currently no scientific publication yet that provides a complete overview outlines this topic. The same applies to the realizations of Georges Hobé (1854-1936), Fernand Dubois (1861-1939), Paul Du Bois (1859-1938) and Léon Ledru (1855-1926). For each of these five artists, a researcher provides an accompanying scientific article with bibliographical references and illustrations often never before were published. This first volume also contains a foreword that was written by Prof. Paul Greenhalgh, director of the Sainsbury Center for Visual Arts (Norwich), as well as an introductory text by Françoise Aubry (former curator of the Horta Museum), titled Gustave Serrurier, Victor Horta, Paul Hankar and Henry van de Velde: create a new mobilier à la fin du XIX siècle?. In his relentless quest, Horta gradually strives for more purity and sobriety in the pieces of furniture he is in front of makes customers - who are usually wealthy and like what is new. To take stock of its contribution to innovation of the decorative arts from the last decade of the 19th century century, including a close collaboration with the studio by the furniture maker Henri Pelseneer (1847-1909), no one is better placed than Françoise Aubry, an indispensable reference in the research to Belgian Art Nouveau and internationally recognized specialist of the oeuvre of Horta. The architect Georges Hobé, who was a self-taught artist and a great competitor of Horta, enjoyed considerable success in his lifetime in Belgium, before falling into oblivion. The rediscovery of his work, both in architecture and decorative arts, owes a lot to Pr. Raymond Balau (ENSAV La Cambre), who is an architect as well as an urban planner, art and architecture critic and researcher in the field of architecture from the twentieth century in Belgium. As part of the Belgian Art Nouveau project Belge, Balau will focus on two exhibitions in particular in which Horta and Hobé played an important role, with in particular the Belgian part of the International Exhibition for Modern Decorative Arts in Turin in 1902 and the Modern Section Decorative Arts of the Belgian Pavilion of the Internationale Exhibition of Milan in 1906. VICTOR HORTA (1861-1947) Chair Mahogany wood and imitation crocodile leather Chateau de la Hulpe Woodworker Henri Pelseneer (1847-1909) Belgian Art Nouveau: Vision, Design and Craft
