Paris, Les Editions du Chêne,1949. in 4 reliure cartonnée illustrée de l'éditeur, dos toilé imprimé Edition originale dont il n'est pas annoncé de grands papiers. Photographies de Brassaï reproduites en héliogravure (en noir).
Reference : AAG145C224
Envoi d'Hubert Damisch à Claude Viseux. Tache sur page de garde. Intérieur agréable voire frais. Très bel exemplaire faisant se superposer deux oeuvres de deux artistes amis.
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1 Relié, pleine toile et jaquette illustrée de l'éditeur (qqs plis et fentes marg. à la jaquette). 30 x 25 cm, 332 p., nombreuses illustrations. Lausanne, Clairefontaine, 1971.
Catalogue de l'oeuvre sculpté, biographie, choix de bibliographie, index. Bon etat
Lausanne Clairefontaine 1971 1 vol. relié in-4, cartonnage éditeur, jaquette, 331 pp., nombreuses reproductions en noir. Bon état.
Lausanne, La Guilde du Livre, 1971, in-4to, 331 p., rich. ill. en couleurs et en noir, reliure orig. demi-toile ill., bel exemplaire.
image disp.
Phone number : 41 (0)26 3223808
Lausanne, La Guilde du Livre 1971, 300x250mm, 330pages, reliure demi-toile de l’éditeur. Très bel exemplaire.
photos en héliogravure,
Paris, Les Éditions du Chêne, 1948. In-folio, non paginé, cartonnage éditeur illustré, dos de toile noire (papier cristal collé à la doublure, petits frottements épars).
Édition originale de cet essai consacré à la sculpture chez Picasso. Il est illustré de nombreuses reproductions en noir de photographies d'oeuvres par Brassaï et Dora Maar. Intérieur impeccable. Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.