‎CHASTEL André (sous la direction) ‎
‎Giorgio Vasari ‎

‎Les vies des meilleurs peintres, sculpteurs et architectes de Giorgio Vasari, tome 12. Vasari illustré‎

‎Berger-Levrault, coll. « Du texte à l’image » 1989 In-8 broché 21,7 cm sur 13,7. 456 pages. Bon état d’occasion.‎

‎Édition commentée sous la direction d’André Chastel Bon état d’occasion ‎

‎Ragionamenti del Signor Cavaliere Giorgio Vasari Pittore e Architetto Aretino . . . Seconda Edizione.‎

‎Vasari, Giorgio: Ragionamenti del Signor Cavaliere Giorgio Vasari Pittore e Architetto Aretino . . . Seconda Edizione. Arezzo: Michele Bellotti, 1762. Quarto. Contemporary limp paper, manuscript title to spine. Contemporary or near-contemporary library ticket to the front pastedown. Half title, engraved portrait frontispiece, title printed in red and black with allegorical engraving, engraved historiated initials and head and tail-pieces. Head of spine repaired, small area of worming to the lower cover, 19th-century library ink stamp partially washed from the lower corner of the frontispiece, occasional light spotting, but overall contents fresh and largely unopened. Second edition, originally published posthumously in 1588 and reprinted in 1619 under the title Treatise on Painting. Though himself a painter and architect, Giorgio Vasari (1511-1574) is now best known as the founder of art history. He wrote the first, and certainly the most influential, collection of artists' biographies, Le Vite de' Piu Eccellenti Pittori, Scultori, E Architettori, and was responsible for promoting the modern concept of the Renaissance. He was so influential that almost every art historian in the century after Vasari wrote at least partially in response to his ideas. The present volume is about Vasari's own work, in particular the allegorical meanings of his frescoes in the Palazzo Vecchio in Florence, which were commissioned by Cosimo de' Medici, as well as other aspects of the palazzo's decorative scheme and contents, including ancient artefacts. The text is written as a dialogue between the author and the young Francesco de' Medici, and it elucidates much of Vasari's artistic and critical philosophy. This is a particularly nice copy, the contents fresh and largely unopened. Text in Italian.‎

‎Second edition, originally published posthumously in 1588 and reprinted in 1619 under the title Treatise on Painting. Though himself a painter and architect, Giorgio Vasari (1511-1574) is now best known as the founder of art history. He wrote the first, and certainly the most influential, collection of artists' biographies, Le Vite de' Piu Eccellenti Pittori, Scultori, E Architettori, and was responsible for promoting the modern concept of the Renaissance. He was so influential that almost every art historian in the century after Vasari wrote at least partially in response to his ideas. The present volume is about Vasari's own work, in particular the allegorical meanings of his frescoes in the Palazzo Vecchio in Florence, which were commissioned by Cosimo de' Medici, as well as other aspects of the palazzo's decorative scheme and contents, including ancient artefacts. The text is written as a dialogue between the author and the young Francesco de' Medici, and it elucidates much of Vasari's artistic and critical philosophy. This is a particularly nice copy, the contents fresh and largely unopened. Text in Italian‎

‎Giorgio Vasari Giorgio Vasari. Vies des peintres sculpteurs et architects par Gi‎

‎Giorgio Vasari Giorgio Vasari. Vies des peintres sculpteurs et architects par Giorgio Vasari. Tome dixieme. Life descriptions of the most famous painters sculptors and architects. In Russian (ask us if in doubt)/Giorgio Vasari Dzhordzho Vazari. Vies des peintres sculpteurs et architectes par Giorgio Vasari. Tome dixieme. Zhizneopisaniya naibolee znamenitykh zhivopistsev vayateley i zodchikh.Traduites par Leopold Leclanche et commentees par Jeanron et Leopold Leclanche. 121 portraits dessines par Jeanron. Et graves sur acier par Wacquez et Bouquet. Translation and commentary by Leopold Leclanche. 121 portraits drawn by Jeanron and Graves and graviro Paris. Just Tessier edition. 1842 440c.. SKUalb38fa7dfd3804f52d.‎

‎Giorgio Vasari: The Book of Drawings. The Fate of a Mythical Collection‎

‎Frank, Louis, and Carina Fryklund: Giorgio Vasari: The Book of Drawings. The Fate of a Mythical Collection. Exhibition: Paris, Musée du Louvre and Stockholm, Nationalmuseum, 2022. 240 pages, over 100 colour and black and white illustrations. Paperback. 25 x 20cms. A study and recreation of Giorgio Vasari's 'Libro de' disegni', his lost collection of drawings accompanying his 'Lives of the Most Eminent Painters, Sculptors and Architects'. Ten essays discuss the historiography of Vasari's lost book of drawings, his classification system, the collection's dispersal, figures like Niccolo di Sinibaldo Gaddi, and includes a technical analysis of extant mounts. Appendices include excerpts from Vasari's 'Lives' written in Italian.‎

‎A study and recreation of Giorgio Vasaris 'Libro de disegni', his lost collection of drawings accompanying his Lives of the Most Eminent Painters, Sculptors and Architects. Ten essays discuss the historiography of Vasaris lost book of drawings, his classification system, the collections dispersal, figures like Niccolo di Sinibaldo Gaddi, and includes a technical analysis of extant mounts. Appendices include excerpts from Vasaris Lives written in Italian. Text in English‎

‎Giorgio Vasari, il Giovane. Raccolto fatto dal Cav. Giorgio Vasari di varii instrumenti per misurare con la vista. Introduzione e cura di Filippo Camerota. Biblioteca della scienza italiana, XIV.‎

‎ Firenze, Giunti Gruppo Editoriale 1997, 240x170mm, 423pagine, in brossura. Sovracoperta. Copia nuova condizione. ‎