Münich-Paris-Londres, Schirmer/Mosel, 1992, 1 volume, grand in-4, reliure éditeur, 382 p. Edition originale française, éditée en collaboration avec la Robert Mapplethorpe Foundation, traduit de l'américain par André Arnol. Catalogue raisonné du photographe, contient : 1 - polaroïds 1972-1975, 2 - photographies 1972-1989, 3 - sur le fil du rasoir (l'oeuvre photographique de Robert Mapplethorpe par Arthur C. Danto), 4 - biographie, 5 - expositions, 6 - bibliographie. Liste des planches, note de l'éditeur et remerciements en fin de volume, 382 planches de photographies d'Art en noir et blanc. Reliure éditeur, pleine toile grise sous jaquette illustrée.
Reference : 1269
Robert Mapplethorpe est peu connu en France, c'est pourtant un grand maître de la photographie de la fin du XXe siècle. Ouvrage à ne pas mettre entre " toutes les mains ". Exemplaire à l'état de neuf. ************* Remise 20 % pour toute commande supérieure à 100 €, envoi gratuit en courrier suivi et assurance à partir de 30 € d'achat (France seulement).
Yves Oziol
Yves Oziol
04 73 91 84 71
Sauf indications contraires, les ouvrages présentés sont réputés complets et en bon état, le port est à la charge de l'acheteur, les envois se font en recommandé avec assurance pour toute commande supérieure à 30 euros, après réception du règlement.
, teNeues, 2006 Hardcover, 256 pages, ENG, 390 x 285 x 35 mm, dustjacket, in New condition !!, Full Page Photographs in sharp colours and b/w!. ISBN 9783832791681.
The theme of flowers is woven throughout Robert Mapplethorpe's oeuvre, coming to signify some of his deepest concerns as an artist. The photographs in "Flowers" range from images of the early 1980s to many taken in the months just before his death. The latter, in particular, are astounding in their intensity; here one finds both erotic drama and absolute clarity of composition - Mapplethorpe's gift at its most bold and uncompromising. Only a fraction of Robert Mapplethorpe's color flowers have been published or exhibited. This book, exquisitely designed and produced, is destined to become a crucial part of his legacy.
The Robert Mapplethorpe Collection. Sold for the Benefit of the Robert Mapplethorpe Foundation, Inc. Sale: New York, Christie's, 1989. 209 pages, fully illustrated in colour and black & white. Paperback. 27 x 22cms. 587 lots offered on Tuesday, October 31, including drawings, sculptures, ceramics, furniture, jewelry, glass, photography. With an illustrated selection of property from Mapplethorpe's collection, offered in various specialized sales, and a list of prices.
587 lots offered on Tuesday, October 31, including drawings, sculptures, ceramics, furniture, jewelry, glass, photography. With an illustrated selection of property from Mapplethorpe's collection, offered in various specialized sales, and a list of prices.
[Robert Mapplethorpe] - Celant, Germano
Reference : 121514
(1992)
ISBN : 8843540432
Celant, Germano: Mapplethorpe. Exhibition: Humlebaek, Louisiana Museum of Modern Art, 1992. 321 pages, heavily illustrated, travelling exhibition. Paperback. 29 x 22cms. Text in Italian.
Text in Italian
MAPPLETHORPE (Robert)]. CELANT (Germano).
Reference : 109259
(1983)
ISBN : 8870170322
Idea Books 1983 1 vol. broché in-4, broché, couverture illustrée, non paginé, photographies en noir à pleine page. Texte en italien. Très bon état.
, Mercatorfonds 2016, 2016 Hardcover, 255 pages, English, 280 x 250 mm, book in perfect condition, very richly illustrated with coloured and b/w illustrations. ISBN 9789462301313.
This revelatory catalogue delves into the many affinities shared between two widely renowned and discussed artists, Robert Mapplethorpe (1946-1989) and Edvard Munch (1863-1944), whose intensely studied work has, until now, never been considered in relation to one another. Mapplethorpe + Munch brings to light how these two monumental figures curiously relate on an existential level, in how they deal with questions concerning sexuality, and in their way of utilizing self-portraiture as a means to explore issues of personal identity . Featuring essays that examine the thematic impulses behind the accompanying exhibition, this publication establishes a previously unexplored association between two equally contentious art figures, while working to impart alternative perspectives and new insight into their respective outputs. Although distinct in their legacies, Mapplethorpe and Munch remain remarkably intertwined.