ed. Gallimard 1952 in-8 br., coll. « Le point du jour », poemes 1920-1951, edition originale collective avec quelques poemes inedits, pages jaunies 25 €
Reference : 198136
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Reference : alb224b982a0243e57a
IMAGINES MUNDI: almanac of studies of the general history of the 16th-20th centuries. IV International Scientific and Practical Conference of the URO ROII on March 16-18, 2012 In Russian /IMAGINES MUNDI: almanakh issledovaniy vseobshchey istorii XVI-XX vv. IV Mezhdunarodnaya nauchno-prakticheskaya konferentsiya UrO ROII 16-18 marta 2012 g. Yekaterinburg 2012 240Contact us for details or to request photos of available books. Delivery of this book could take longer than normal due to additional handling time before shipping, and no rush delivery options are available. Please let us know if you have a specific date by which you need to receive your order.SKUalb224b982a0243e57a
Reference : alb55497a50c636a787
Imagines mundi: Almanac of Research on the General History of the 16th-20th Centuries, # 4. Intellectual History, vol. 2 In Russian /Imagines mundi: Almanakh issledovaniy vseobshchey istorii XVI-XX vv., #4. Intellektualnaya istoriya, vyp.2 Yekaterinburg 2006. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKUalb55497a50c636a787
Leipzig (Lipsiae), Apud Thomam Fritsch, 1709. (Colophon at the end: 'Typis Christophori Fleischeri, an. MDCCIX')
Folio. (VIII),XLIII, (I);987 p. Vellum 37 cm (Ref: Hoffman 3,77/78; Ebert 16744a; Brunet 4,619; Graesse 5,273; not yet in VD18) (Details: Back with 6 raised bands. Boards with blindstamped borders. Blindstamped floral ornament in the center of the boards. Title in red and black. Woodcut printer's mark on the title: a pegasus flying among the clouds. Text in 2 columns, Greek with parallel Latin translation. The commentary is printed on the lower part of the pages. Occasional text engravings) (Condition: Vellum age-toned, spotted and scuffed. Front joint split, but strong. Rear joint starting to split. Endpapers worn and waterstained. Small blind stamp near the lower edge of the title. Paper browning, occasionally severe foxing) (Note: The Suda, a 10th century Byzantine encyclopedia, knows three Greek sophists called Philostratus, three generations living between 160 and 250 A.D. The first one is thought to have written most works, the 'Vita Apollonii' (Life of Apollonius), the 'Vitae Sophistarum' (Biographies of Sophists), the 'Gymnastikos', the 'Heroikos', the 'Eikones', and 'Dialexeis', and a collection of 73 letters, mostly love letters. (Neue Pauly 9, Philostratos 5-8) In the first years of the third century Philostratus moved to Rome, where he entered the court of the emperor Septimius Severius. There he wrote ca. 307 A.D. at the behest of the empress Julia Domna Augusta, whose favour he enjoyed, a biography of the neopythagorean ascetic and wandering philosopher, and also miracle-monger, Apollonius of Tyana. Few books have over a long period of time aroused so much upheaval among Christians as this biography. Apollonius was born in the year when Jesus Christ is supposed to be born. It is almost impossible to reveal Apollonius' true identity, or to decide whether this is a biography of a real or fictionalized hero, or just an Heliodoran romance or a romantic hagiography, or even a documentary romance. The question can be dealt from so many angles, that the Philostratean studies constitute a separate branch in the research of the culture of the Early Roman Empire. The problem is 'that Philostratus, as a man of letters and sophist full of passion for Greek romance and for the studies in rhetoric, was hardly interested in the historical Apollonius'. (Dzielska,M., 'Apollonius of Tyana in legend and history', Rome 1986, p. 14) A fact is that contemporary sources reveal next to nothing about Apollonius. 'To satisfy the empress's demand, who asked him (Philostratus) to narrate the life and achievements of Apollonius, he had to invent this figure as it were anew. Thus using his literary imagination, this moderately gifted writer turned a modest Cappadocian mystic into an impressive figure, full of life, politically outstanding, and yet also preposterous'. (Op. cit. p. 14) Nothing proves that the 'Vita Apollonii Tyanensis' was widely read in the 3rd century. It would probably not have survived, were it not for the gouvernor of Bithynia, Sossianus Hierocles, one of the inspirators of the persecution of the Christians at the beginning of the third century in his province under the emperor Diocletian. At the beginning of the 4th century he published his 'Philaletes', a treatise against Christianity, in which he ridiculed the divine attributes of Christ, and praised Apollonius' virtues and thaumaturgic abilities. In the 'Philaletes' Hierocles propagated his pagan Christ Apollonius. The Christians were furiously enraged, because Hierocles dared to contrast Apollonius with their Saviour. The Christians won under Constantine, and the 'Philaletes' vanished soon from the face of earth. It is only known through the 'Against Hierocles' a treatise of the Churchfather Eusebius. The 'Vita Apollonii Tyanensis', in which it was believed that Apollonius was presented as the equal, if not the superior of Christ, survived however the burning of pagan literature by Christian mobs in early christianity. The 'Vitae Sophistarum', is a collection of biographies of 59 Greek sophists of the so-called Second or New Sophistic. Philostratus consulted their works, but used also the oral tradition. This work is a valuable source for the history of philosophy from Nero to the beginning of the third century. The 'Gymnastikos' is a treatise on Greek athletics. In the 'Heroikos' the ghosts of Heroes, especially Protesilaos, tell remarkable particulars about themselves. The 'Imagines', the description of paintings, of Philostratus and the 'Descriptio statuarum' , the description of statues, written by Callistratus, belong to the rhetorical genre of 'ecphrasis', in which the relation of the verbal and visual was explored. Ancient Greek rhetoricians defined it as a 'speech that brings the thing shown vividly before the eyes', for instance the famous description of the Shield of Achilles by Homer in the 18th book of the Iliad, vs. 478/608. 'In modern criticism ecphrasis has come to be defined as the 'description of a work of art, a category that may be restricted to the visual arts (painting and sculpture) or expanded to include architecture and other arts'. (The Classical Tradition, Cambr. Mass., 2010, p. 291, s.v. Ecphrasis) The German theologian and classical scholar Gottfried Olearius, 1672 - 1715, was appointed professor of Greek and Latin at the University of Leipzig in 1699. In 1693 he started a journey which brought him to Oxford and Cambridge, where he stayed for more than a year to study Greek manuscripts. (ADB 24, 277/78; he has also a lemma in Wikipedia) (Provenance: At the lower edge of the title a blind imprint of a small oval stamp, in the center of which an imperial eagle. The legend reads: 'empire francais zuiderzée, decret du .. vrier, 181?'. Napoleon annexed in 1810 the Netherlands into the French empire. The provinces North Holland and Utrecht were transformed into the 'Département Zuiderzée'. The legend probably refers to the 'decret du 5 février 1810' (decree of the 5th february 1810) in which Napoleon regulated the booktrade. On the front pastedown has been pasted a small paper label reading: 'Henry Bousquet') (Collation: pi4, a-e4, f2 (leaf f2 verso blank); A-6H4, 6I2 (leaf 6I2 verso blank)) (Photographs on request) (Heavy book, may require extra shipping costs)
Collectif Catalogue 1989 In-8, (20.5x24 cm), format à l'italienne, broché, non paginé, iconographie en couleurs, catalogue, carte de visite insérée avec l'ouvrage ; plats légèrement salis, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
URSINUS Fulvius - Ioannis FABRI - ( Johannes FABER ) Theodore GALLE ( engraver ) :
Reference : 33785
15. Antverpiae , Ex Officina Plantiniana , Apud Ioannem Moretum , 1606, small in-4°, 200 x 155 mm , engraved title + typographical title (with engraved printer's mark) + (6)nn pp (dedication to cardinal Aldobrandino) + 88 pp + (4)nn pp (index) + pp 3-8 + (4)pp(index) + 151 portrait engravings printed on one side only + (2)(blank) + (1)(subtitle , appendix) + (1)(bl) + 22 portrait engravings (numbered A-I,K-R). Complete, engraved title of the second part bound before the title of the first part. Bound in full contemporary red morocco in the style of '' Du Seuil ''. All edges gilt, marbled endpapers. (one corner slightly bumped). Very nice copy notwithstanding a small light brown stain on the engraved title. Bibliography: Manfred Sellink, Philips Galle, Engraver and Print publisher in Haarlem and Antwerp, Amsterdam 1997, II, pp 228-230 ( appendix 2C). New Hollstein, Galle , vol. IV, pp 27-29 and 35-197. Dirk Imhof ( Moretus and the Plantin Press) Item G-6..