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Liana Castelfranchi VEGAS
Quattrocento
Collection Zodiaque. Présence de l'art. Cachet d'ex-libris très discret sur page de garde. Cartonnage d'éditeur sous jaquette illustrée avec boîtier. Très bon Zodiaque 1997 1 volume in-4°
Reference : 13757
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Martine Seigneur
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5 book(s) with the same title
[Taddeo di Bartolo] - Solberg, Gail Elizabeth
Reference : 121802
(2024)
ISBN : 9781909400818
Taddeo di Bartolo. Siena's Painter in the Early Quattrocento. 2 volumes
Solberg, Gail Elizabeth: Taddeo di Bartolo. Siena's Painter in the Early Quattrocento. 2 volumes. 2024. Volume 1: 831 pages, no illustrations. Volume 2: 839 pages, 802 colour and 166 black & white illustrations. Hardback. 30 x 23cms. A study of Sienese painting from 1380 to 1420, focused on the life and work of Taddeo di Bartolo. The first volume is divided into 20 chapters, exploring his early life, late trecento painting in Siena, his altarpieces, his time spent in Florence, Lucca, Pisa, Padua, Genoa, Volterra, San Gimignano and Liguria, his work on the cathedral, 'palazzo pubblico' and late civic commissions in Siena, his 'Madonna and Child' paintings, predellas, and polyptychs, his later drawings, and his legacy. Looking in particular at his assumption triptych for the Agrazzi at Montepulciano, his double-sided heptaptych for the Franciscans in Perugia, and his heptaptych for the Dominicans at Gubbio. The second volume contains the illustrations to the catalogue raisonne and 3 appendices on the contemporary reception of his work, transcriptions of archival documents, and a list of problematic attributions.
A study of Sienese painting from 1380 to 1420, focused on the life and work of Taddeo di Bartolo. The first volume is divided into 20 chapters, exploring his early life, late trecento painting in Siena, his altarpieces, his time spent in Florence, Lucca, Pisa, Padua, Genoa, Volterra, San Gimignano and Liguria, his work on the cathedral, 'palazzo pubblico' and late civic commissions in Siena, his 'Madonna and Child' paintings, predellas, and polyptychs, his later drawings, and his legacy. Looking in particular at his assumption triptych for the Agrazzi at Montepulciano, his double-sided heptaptych for the Franciscans in Perugia, and his heptaptych for the Dominicans at Gubbio. The second volume contains the illustrations to the catalogue raisonne and 3 appendices on the contemporary reception of his work, transcriptions of archival documents, and a list of problematic attributions
Giovan Pietro da Cemmo fatti di pittura bresciana del Quattrocento
Ferrari, Maria Luisa: Giovan Pietro da Cemmo fatti di pittura bresciana del Quattrocento. Milan: Casa Editrice Ceschina, 1956. 166pp, 132 monochrome illustrations. Cloth. 27x20cms. Text in Italian.
Text in Italian
Mostra di Melozzo e del quattrocento Romagnolo
Gnudi, Cesare, Luisa Becherucci: Mostra di Melozzo e del quattrocento Romagnolo. Exhibition: Forli, Palazzo dei Musei, 1938. Spine bound in blue morocco with marbled boards. Quarter blue morocco with decorated boards. 25.5x18cms. Important exhibition of 50 certain and attributed works of Melozzo da Forlì, together with works by other '400 artists of Emilia-Romagna, including Antoniazzo Romano, Giovanni Santi, Marco Palmezzano, Niccolò Rondinelli, Baldassare Carrari, and Francesco and Bernardino Zaganelli, and a quantity of maiolica (7 pieces illustrated). Text in Italian.
Important exhibition of 50 certain and attributed works of Melozzo da Forlì, together with works by other '400 artists of Emilia-Romagna, including Antoniazzo Romano, Giovanni Santi, Marco Palmezzano, Niccolò Rondinelli, Baldassare Carrari, and Francesco and Bernardino Zaganelli, and a quantity of maiolica (7 pieces illustrated). Text in Italian
I Bronzi del Rinascimento. Il Quattrocento. Dai Medici al Bargello. II.
Ciaroni, Andrea & Charles Avery: I Bronzi del Rinascimento. Il Quattrocento. 2008. Series: Dai Medici al Bargello. II. ix, 237pp. Cloth. 30.5 x 21.5cms. Text in Italian.
Text in Italian
Die Italienische Plastik des Quattrocento (Handbuch Der Kunstwissenschaft)
Schubring, Paul: Die Italienische Plastik des Quattrocento (Handbuch Der Kunstwissenschaft). Postdam: Akademische Verlag, 1924. 281pp with 370 monochrome illustrations plus 11 tipped-in monochrome plates. Cloth backed boards. 29x23.5cms. Extensively illustrated study of classic works of the Italian Renaissance, covering Florence, Siena, Bologna and Ferrara, Padua and Verona, Lombardy, Venice, Rome and Naples. With index of names and places. Text in German.
Extensively illustrated study of classic works of the Italian Renaissance, covering Florence, Siena, Bologna and Ferrara, Padua and Verona, Lombardy, Venice, Rome and Naples. With index of names and places. Text in German
